benjamin lundberg torres sánchez

about

  • bio + cv
  • contact
  • press / interviews

curation

  • se aculilló?
  • From Procession to Possession

I. performance

  • Ancestres
  • No Wet Materials
  • The Island
  • TO THE BONE
  • El Montón
  • Incorporated Mark: a skin-to-skin for two
  • Safety Pin Removal
  • A Lengua for Mi Boca
  • Audition for Trinity
  • Baudio (Tape 1)
  • Limpieza de Sangre
  • Parachute, (circa 1988 - 2006)
  • i dug 54 stones from the providence river
  • Product of Colombia
  • Lundberg/Torres-Sanchez (L/T-S: Pts. I-III)
  • Hold/Release
  • Naturalization (L/T-S: Pt. I)
  • Colombioplasty (L/T-S: Pt. II)
  • WHITE LIES/ EXIST TO PROTECT PRIVACY
  • Mic Check After the Zimmerman Verdict
  • Prism
  • The Same Colombian: a tête-à-tête for two
  • Memoir: Draft 1

II. visual art + installation

  • others in losing
  • Choqué: Otra Vez
  • #ColorPoll2017
  • Color Poll
  • Casa de Casta

III. video

  • for our sake, not the wind's
  • Bendiciones
  • SPIT/TAKE/PAY/BACK
  • Empire: Can’t Remember to Forget You [Pt.1]
  • The more I hold you
  • Choqué: I collide

IV. spectacles

  • Miss La La & the Roustabouts
  • There's a time and a place...
  • A New Game:
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No Wet Materials

No Wet Materials
Performance. (2017)

On Thursday, 16 November 2017, I salivated into 10 mL viles for two hours at RISD Museum’s Third Thursday event, filling 22 vials during that time. On Monday, 2 October 2017, I experienced excessive force by Providence police during which I was charged with assault of two police officers (the “assault weapon” being my saliva) and was jailed for a night.

No Wet Materials thinks about methods of controlling the body and its “materials,” inside and outside the museum, drawing relationships between policing, legal statutes, and museum rules governing “Wet Materials.” The action serves to contain/restrict/police my own body’s “wet materials” — considered a hazard to both the museum’s gallery spaces and to the Providence police — while simultaneously “stockpiling” the “weapon” of my saliva. In this way, I attempt to occupy overlapping spaces of submission and rebellion.

Performance History:

Performed 16 November 2017
RISD Museum
Curated by Kat Chavez and Alexandra Poterack
With support from The Museum Guild and Public Programs

<em>No Wet Materials</em><br>© Lundberg Torres Sanchez 2017
No Wet Materials
© Lundberg Torres Sanchez 2017
<em>No Wet Materials</em><br>© Kat Chavez 2017
No Wet Materials
© Kat Chavez 2017
<em>No Wet Materials</em><br>© Lundberg Torres Sanchez 2017
No Wet Materials
© Lundberg Torres Sanchez 2017